(Photo by Jon Pack)

Amanda Stern is a fourth generation native of Manhattan; raised without an accent.

Her work has appeared in the New York Times; the New York Times Magazine the New York Times Book ReviewFilmmaker, The Believer, Salon.com, BlackbookSt. Ann’s ReviewPost Roa and themid.com  among others. Her personal essays have been included in several anthologies: Love is a Four Letter Word , The Marijuana ChroniclesWomen in Clothes and her Believer interview with Laurie Anderson was included in Confidence, or the Appearance of Confidence: The Best of the Believer Music Interviews, 2014.

Her first novel The Long Haul (Soft Skull Press) was published in 2003. Of her metaphors, the San Francisco Chronicle wrote, “they’re so fresh, they’re almost jarring.” That made her really happy, and relieved, because she’d been worried she’d over-similied and under-metaphored. Concurrent with the publication of The Long Haul, she launched The Happy Ending Music and Reading Series as an antidote to boredom. The series, designed around public risks, became a critical success, and its inventive model paved the way for the proliferation of music and reading series created in its wake. Happy Ending had permanent homes at Joe’s Pub in NYC and Symphony Space. Amanda produced over 250 shows and has welcomed over 700 creative artists, ranging from from Lena Dunham to Laurie Anderson. 

She spent her 20s working in film–for Ang Lee, Terry Gilliam and Gregg Araki, but primarily for Ted Hope and James Schamus at the famed (and not forgotten) Good Machinewhere she worked closely with Hal Hartley. After that she became an accidental comic,  co-hosting the Lorne Michaels series, This is Not a Test with host Marc Maron at “Catch A Rising Star.” She was the on-air host of a cable network owned by Lorne Michaels, the name of which is so mortifying she can’t even bring herself to tell me, the fake person pretending to write “her” bio.  Later, in the music world, she worked for David Byrne, curating a narrative section of  The Talking Heads Box Set, “Once In A Lifetime.”

Outside of her own cultural series “Happy Ending,” Stern hosts, talks, moderates and curates for those who pay her. Some of these people and places are: the National Book Awards ceremony, “5 Under 35;”  the BBC; Soundcheck; the MacDowell ColonyBrooklyn Public Library’s Gala with Paul Auster and at Powerhouse Arena. She’s also led storytelling workshops for Moleskine, Cirque du Soleil and Proctor & Gamble.

She’s published twelve novels, nine for children (the Frankly, Frannie, series for Penguin under the name, A.J. Stern), two for young adults (You’re So Not Invited to My Bat Mitzvah and its sequel, under the name, Fiona Rosenbloom) and one novel of literary fiction, The Long Haul, under her real name.  She is currently working on her first book of non-fiction. She’s held several fellowships at both The MacDowell Colony (once as the Philip Morris Company Fellow) and at Yaddo. In 2012 she was a NYFA fiction fellow. Because she is a writer, she is legally obligated to live in Brooklyn.

She has five lines, appears in two scenes and is on screen for a total of seven seconds in Hal Hartleys latest movie, MEANWHILE, starring DJ Mendel.

THIS IS MY BIO IN PORTUGUESE:

Amanda Stern nasceu e foi criada no Greenwich Village, em Nova York. Seus artigos e contos foram publicados em diversas revistas e sites literarios americanos e europeus. Por v‡rios anos, Amanda tambiem trabalhou como assistente de diretores de cinema como Terry Gilliam, Hal Harley, Ang Lee, Ted Hope e James Schamus.

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